Matusiak Konstantin

More animation work for Fameless

A selection of additional motion pieces made for Fameless across different formats and tones — from brand intros and website promos to playful product spots. Each one was tailored to a specific context within the agency's ecosystem, but together they reflect the kind of range the studio likes to play with.

Client

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Fameless

Year

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2024-2026

Motion Design

Modeling

Product Animation

3D animation

TRIAR.LAB — Intro

TRIAR.LAB — Intro

A short opening animation made for Triar.lab, an independent creative community built around artcycling — the idea of treating recycling as a creative and intellectual act rather than a chore. The logo itself carries the concept: R³ — Reimagine. Recreate. Reuse. My task was to bring that identity to life as a brand intro: a compact motion piece that introduces the mark, sets the visual tone of the project, and works as a recurring signature across Triar.lab's content output.

A short opening animation made for Triar.lab, an independent creative community built around artcycling — the idea of treating recycling as a creative and intellectual act rather than a chore.

Fameless — Website Promo

A promotional motion piece for the Fameless agency's own website. The brief here was less about presenting a single product and more about expressing the studio itself — its playfulness, range, and the "sandbox" energy that runs through everything they do. The animation acts as a visual hook on the site: a short, rhythm-driven sequence designed to give first-time visitors an instant feel for the agency's tone before they ever scroll into the case studies.

A promotional motion piece for the Fameless agency's own website.

Ashtray — Playful Promo

Ashtray
— Playful Promo

A second motion piece for the limited-edition manhole-cover ashtray, this one taking a looser, more playful direction than the main commercial reel. Where the first video treats the object with serious product-cinematography polish, this one leans into the humor of the concept — the absurdity of turning a piece of street infrastructure into a collectible design object — and plays with it more openly. It works as a companion piece: same product, different register, aimed at audiences who'd respond more to wink-and-a-smile than to a clean product reveal.

A second motion piece for the limited-edition manhole-cover ashtray.

motion designer: Konstantin Matusiak